Heartthrobs: Glam City Central with Skid Row and Shotgun Messiah

Posted in 80s rock music, Entertainment, Glam Rock, Heavy Metal Music, Metal Rock, New Jersey, Radio, Skidrow, Sleaze Rock Music with tags , , , , , , , , on May 28, 2018 by glamrock4ever

    

 

So what’s up, Glam Metal Fans? You are the most phenomenal fans in the freaking world! Check this out: posting here on two great Glam Metal bands, which feature two ultra-blonde male lead singers, with ultra-Glam rock and heavy metal music: Skid Row, featuring lead singer Sebastian Bach, and Shotgun Messiah. First off, lets take a look at Skid Row, the Glam Rock Metal band with an unparalleled sound, mainly due to the prodigious windpipes of lead singer Sebastian Bach. However, since Skid Row split with Sebastian (back in 1996), the overall fan experience has not yet been the same. To me Skid Row is just not Skid Row without Sebastian.  Still, here is the new Skid Row band write-up from their website “The first rebellion started in 1986. New Jersey kids, punk and metal attitude, determined to conquer the world. All for one, banded together with single-minded purpose. The battlefield was the stage, the songs their arsenal in an us-against-them musical coup d’état. Top Ten singles. Gold and multi-platinum sales. No. 1 on the Billboard album chart. The world was theirs, the rebellion won, until there was nothing left to fight for — so they fought each other. Following an ill-advised South American tour in 1996, the band was finished. But the core camaraderie never died.” http://www.skidrow.com. Can’t help but notice no mention of Sebastian, eh?

Back up, what’s the backstory there? Yeah, well, here it is:  Skid Row formed in 1986 in Toms River, New Jersey, and their main commercial success was with their debut album, Skid Row (1989), and Slave to the Grind (1991). The original members were bassist Rachel Bolans, guitarist Dave “Snake” Sabo, guitarist Scotti Hill, drummer Rob Affuso, and lead singer Sebastian Bach. Dave “Snake” Sabo and John Bongiovi (Jon Bon Jovi) were teenage friends, and Sabo was briefly a member of the Bon Jovi band, until replaced by guitarist Richie Sambora. Skid Row went 5x platinum featuring singles “18 and Life,” and “I Remember You.” Skid Row supported Bon Jovi on their New Jersey tour, after Sabo and Jon Bon Jovi had promised each other that if either one ever made it in the music business they would help the other out. The first to achieve success was Jon Bon Jovi, and true to his word, helped Skid Row get their first record deal.

It was pretty surprising to me to read exactly why Sebastian Bach and Skid Row split up. I thought it was the “bottle incident” that you Glam Rock fans have heard me describe in an earlier podcast, but NO! It was due to Bach and Bolan disagreeing on whether to open for KISS in 1996. Sebastian had booked the gig, but the other band members thought that was beneath them to open for KISS. So the group and Sebastian parted ways, even though later Skid Row opened for KISS in 1998, 1999, and 2000, especially in 2000 for KISS “Farewell Tour.” Well, yours truly saw KISS in concert in 2007, so that was not really a “Farewell Tour” for KISS. True to form, Sebastian left the message on the bands answering machine in 1996 that Skid Row was never too big to open for KISS, sparing none of the choice words and attitude that he is famous for.

Skid Row, without Bach, continues to shoot down any ideas or possibilities of having Sebastian come back, telling Blabbermouth.net:

“Lastly, amidst all of the rumors and speculation, there has been no talk of a reunion [with former SKID ROW singer Sebastian Bach] nor are we opening for GUNS N’ ROSES. That’s it for now. We’ll keep you updated as best we can.”

 

Skid Row will be releasing “United World Rebellion” record in 2019. Sebastian Bach’s most recent record was with the 2014 release of “Give ‘Em Hell” and is currently on tour, with upcoming July concert dates in Poughkeepsie, NY, Cleveland, Ohio, and Fort Wayne, Indiana.

Finally, check out the latest from Shotgun Messiah, a Sleaze Metal band from Sweden, recently re-united in 2012, with live album released in 2016. Sweden Rock Magazine named Shotgun Messiah #38 on “Best Rock Bands of Sweden Ever.”

And of course, the only true Messiah is J.C.: Jesus Christ, our Lord. That’s obvious.

 

 

Glam Rock Podcast April 2018 YEAH

Posted in Entertainment, Glam Rock, Glam Rock Musicians, Heavy Metal Music, Kix band, Metal Rock, Music, Podcast, Radio, RATT with tags , , , , , on April 6, 2018 by glamrock4ever

Here IT IS! to my loyal fanbase. Chain yourself to your desk or laptop or car because this music will blow you OUT THE DOOR and DOWN THE STREET! YEAH

Featuring KIX band, Bon Jovi, and RATT

KIX band from Rock Your Face Off  “Cant Stop the Show” “All the Right Things” “Tail on the Wag”

Bon Jovi from This House is Not for Sale  “House is Not for Sale” “Knockout” “Not Living with the Ghost”

RATT from Invasion of Your Privacy  “Never Use Love” “Got Me on the Line” “You should Know by Now”

KIXRockFacePicBonJoviHousePicRattInvastionPic1

KIX Band Struts Their Stuff in Amazing Glam and Hard Rock Groove

Posted in Entertainment, Glam Metal Rock Music, Glam Rock, Glam Rock Musicians, KIX, Kix band, Music, Podcast, Radio, RATT with tags , , , , , on March 16, 2018 by glamrock4ever

KixBand1KixBand4KixBand3

 

KIX is an American hard rock and glam metal band that was formed in Hagerstown, Maryland in 1977. KIX has earned the indisputable title of Baltimore’s most exciting live rock band, which is why KIX is a constant headliner at the M3 concert series in Maryland each year. KIX are vocalist Steve Whiteman; drummer Jimmy “Chocolate” Chalfant; guitarists Brian “Damage” Forsythe; Ronnie “10/10” Younkins; and bass guitarist Mark Schenker.  KIX has earned the reputation as one of the hardest-working bands all up and down the East coast, playing almost every club or bar six days a week for three solid years before they were “discovered” by Atlantic records. Or as lead singer Steve Whiteman often would say in a classic taunt: “We are coming to a dump near you!”  KIX band released their self-entitled album in 1981, featuring crowd favorites “Atomic Bomb,” “Yeah Yeah Yeah,” and “The Itch.”

   Ultimately, what makes KIX unique? Check out the reviews by some in the rock music press: Stereogum writes, “Historically, KIX were a total footnote, and their one real national hit “Don’t Close Your Eyes” was a B-level power ballad. At their commercial peak, they were opening for RATT on tour.  In their hometown, though, KIX were total gods, rulers of the legendary downtown Baltimore white-trash rock club Hammerjacks.”   Loud and Proud records owner Tom Lipsky adds, “What I have always loved about KIX is they make rock ‘n’ roll fun.”  And All Music writes, “The truth is, KIX were different. They were different because they were much better—they had better hooks, rocked harder, and they could write songs” -later adding their “albums sounded like a constant party.” So yeah of course, it’s a bitchin’ great time, always, with KIX!

     KIX achieved significant commercial success with the release of Midnite Dynamite in 1985 (“Midnite Dynamite,” “Cold Shower”); but Midnite Dynamite did not come close to the ascendancy of 1989’s Blow My Fuse (“Get it While its Hot,” “Don’t Close Your Eyes,” “She Dropped the Bomb”) which went Platinum.  The single “Don’t Close Your Eyes” with lyrics attempting to stop suicide (of a girlfriend?) entered the Hot 100 at number 11. In 1989, KIX released Blow My Fuse: The Videos which had the band’s official videos and behind-the-scenes footage. Also, KIX release a live album from -where else- Baltimore in 1993, which at first was entitled Contractual Obligation Live.  When KIX were touring arenas, they opened for AC/DC, Aerosmith, David Lee Roth, as well as RATT.  (See Wikipedia and AllMusic.com for this band history.)

     Fast forward 19 years to 2014 when KIX released their newest CD, Rock Your Face Off after signing with Loud and Proud Records.  What makes this all so truly astonishing, according to the press release from Loud and Proud, is that the group still consists of the original members! Witness just how dynamic and HOT this band still is. The video in HD is intoxicating, and the DVD set “Can’t Stop the Show: The Return of KIX” entered Billboard Top Music Video Sales at # 3 on October 26, 2016.  KIX tested the waters in 2008, according to Loud and Proud, at “two of the biggest rock festivals in the U.S.: Rocklahoma in Oklahoma and Rock the Bayou in Texas, where they earned ‘Best Performance’ among the fans there, playing alongside Alice Cooper, Tesla, Queensryche, RATT, and more.” Check it out, and watch these kick-ass dudes bring the house down at M3 in Maryland this coming May.

Cats in Boots Kicked and Clawed Glam Rock 80s Style

Posted in Glam Metal Rock Music, Glam Rock, Heavy Metal Music, Music, RATT, Skidrow with tags , , , , , , , , , on January 22, 2018 by glamrock4ever

In the vacant music scene of the 21st century, where Glam Rock and Glam Metal Music fans continue to be ignored, pushed aside, and altogether ABANDONED by the BIG MUSIC CORPORATIONS, it defies all logic that bands like Cats in Boots are not only no longer around but never actually made it in the US music scene! These BIG MUSIC CORPORATIONS seem to only know how to push the genres of Rap, Country, or the other MAINSTREAM CRAP that people call “music” these days! Do I sound bitter? Well, yes, slightly, because Cats In Boots are amazingly awesome and should have made it, man. So what follows is a brief bio, discography, and excerpt from an interview with lead singer Joel Ellis, first published on March 7, 2006 by Sleazeroxx.com. You gotta witness it to believe it.  And you WILL, I double dog dare ya, yeah.

Cats in Boots (aka CIB) were formed in 1988 by two Americans: Joel Ellis, vocals and Randy Meers, Drums, along with two Japanese: Takashi O’Hashi, lead guitar, and Yasuhiro Hatae, bass guitar. Joel Ellis was part of the Cleveland (as in: Ohio) music scene with a band called Merry Hoax, with Randy Meers, who was from Texas.  Despite the electric (as in: NOT) music scene in Cleveland, Merry Hoax moved to L.A. There Takashi ‘Jam’ Ohashi and bass player Yasuhiro ‘Butch’ Hatae of the Tokyo band Seiki Matsu recruited Ellis and Meers for CIB. Of that move, Ellis told Sleazeroxx.com, “There was never any question if we would leave Cleveland or not. Cleveland was a great place to come from, but we always knew as kids we’d end up rockin’ in LA.”  Ellis said that Merry Hoax had influences “from Sabbath to Zep to Metallica and early Motley.”

Cats in Boots3

The American member Ellis and Meers relocated to Tokyo, Japan with O’Hashi and Hatae to record demos which shot to #1 on the Indie Japanese music charts. The band caught the attention of New York based music giant EMI, and had CIB fly back to New York to record “Kicked and Klawed.” Although, Kicked and Klawed garnered solid popularity in Japan and the U.K.—including 60 sold-out shows in Japan– their modest Gold status on the American scene cost them a continued recording contract and Ellis said, on Sleazeroxx.com, that there was “confrontation with management [EMI] and some short-sighted decisions on both ends.” Ellis also said this to Sleazeroxx.com, “People need to try to understand how big an impact CIB made on the Japan music scene….In the U.K. we were also bigger with Top 10 selling rock record together with Motley, Faith No More, Skid Row, etc.”

The Discography: Demonstration: East Meets West (Demo); Kicked and Klawed (1989); Last Works 1993-1995 (1999); The original band toured Japan one last time in 2003.

The rock blog Heavy Harmonies summarized it best when they wrote, “Amidst the other hair bands of the late 80s, Cats in Boots were gravely overlooked. They were, perhaps, the most underrated metal band of the late 80s. Ellis had a killer rock n roll voice and the riffs on this CD (Kicked and Klawed) are incredible.”

And last, but not least, is this thrilling fact: Joel Ellis of Cats in Boots was a roommate with Stephen Pearcy of RATT. Read the Sleazeroxx.com interview for more. 

Addendum: many apologies for the “oze toni rock the nights” tag do not know the dude but the video is ELECTRIC GLAM.

Cinderella Defy the Odds with Legendary Glam Metal Music

Posted in Cinderella band, Entertainment, Glam Metal Rock Music, Glam Rock, Heavy Metal Music, Metal Rock, Music, Rock Music with tags , , on April 27, 2017 by glamrock4ever

     Lead singer, composer, guitarist, and front man for Glam Metal rock group Cinderella, Tom Keifer, has a theme running through his press interviews where he takes issue with the group being labelled under Glam Rock or Glam Metal, but with a name like Cinderella, along with the huge hair, glitter costumes, and onstage posturing, how could it not be that? For the record, Tom Keifer has said many times to rock mag interviewers this statement, (as captured by Classic Rock magazine in 2013), “Some people listen with their eyes, and not their ears.” It’s hard not to hear the sarcasm and/or irritation behind that statement. But get this: even die-hard Cinderella bloggers and fans, such as www.nolifetilmetal said that Cinderella has often been “lumped into the hair bands of the 80s due to their glam look, especially on their first album.”

Here are the key elements to Cinderella’s history, which have been repeated so many times within the metal community, one wishes band members would give more details on the group’s amazing backstory:

Cinderella was formed in 1983 by Tom Keifer, and bassist Eric Brittingham. The initial make-up of the band included guitarist Michael Smerick and the late Tony Destra. Smerick and Destra left in 1985 to form another Glam Metal band, Britny Fox. As legend has it, Jon Bon Jovi saw Cinderella perform at the Empire Rock Club in Philadelphia, which in the 1980s held a metal music night every Sunday. Bon Jovi convinced one of his contacts in the industry, Scottish-born record executive Derek Shulman to go and hear the band. Shulman was not convinced of the band’s selling potential at first, but after much negotiating signed them. The result was Cinderella’s first album Night Songs (1986) which achieved triple platinum status and at one point sold 50K copies per week. (Record Industry RIAA states Platinum equals one million in sales.) Cinderella’s second album, Long Cold Winter, was released in 1988 and was accompanied by a 254-show tour, one of which was in Moscow, Russia, alongside other metal bands such as the Scorpions, Motley Crue, Bon Jovi, and Skid Row. The core members of Cinderella remain Tom Keifer, lead vocalist, composer, keyboardist and guitarist; Eric Brittingham, bass guitar; Jeff LaBar, lead and rhythm guitars; Fred Coury, drums. (For more information see Wikipedia and the band’s website www.cinderella.net.) Overall, the band has sold over 20 million albums. The other studio albums are: Heartbreak Station (1990) and Still Climbing (1994).  Given the fact that most music albums/CDs/ in the 21st century do not exceed the one million mark in sales, that is quite astonishing. It’s why metal fans almost always harken back to the era of the 1980s as the “gold standard”  -the music then was exemplary by today’s standards. What’s that? Don’t like that comment? Uh, well, it’s my blog (GlamRock4Ever), so screw off! Cinderella1Cinderella2Cinderella3

The preceding begs the question: why hasn’t Cinderella recorded any more albums since Still Climbing? Tom Keifer gave an answer to that to Classic Rock magazine (2013), “We toured hard in the past three years so we decided to take a break. We’ll still tour but as for new music, every time we’ve tried there’s been a roadblock.” He may be alluding to legal troubles between the band and the mega music giant Sony corporation that was an ongoing headache to the band in years past and an obstacle to recording. The band has toured ferociously since 1986, including the 1990-1991 Big Joint tour (with Bon Jovi, Skid Row, Quireboys), the 20 Years of Rock tour in 2006 with Poison, and the 25th anniversary tour in 2011. You can also usually always catch Cinderella on the Monsters of Rock cruise, including 2017’s show.

     The biggest complication to the band’s recording was the dilemma of Tom Keifer’s vocal cord issue. In 1991, Tom Keifer lost his voice due to paresis of his vocal cords and underwent corrective surgeries. Then in the year 2008, just before Cinderella was to start another tour with Warrant, Lynch Mob, and Lynam, Cinderella’s lead man woke up one morning to the unimaginable discovery that he could not sing! In a press release at the time, the band’s manager Tim Heyne said: “It is with unbelievably deep regret that I must announce Tom Keifer’s left vocal cord has hemorrhaged, thereby making it impossible for him to sing in the immediate future.” It wasn’t until 2009 after enduring more vocal cord surgery (total of six) that Keifer’s voice returned to normal. Here is what Keifer told Classic Rock magazine (2013): “My left vocal cord is partially paralyzed. But the bottom line is I was told I would never sing again, and I’ve done seven successful tours with Cinderella and made this record.” He’s referring to the 2013 release of his solo album “The Way Life Goes.” Check it out.

 

 

Loudness: Japanese Taste of Glam Metal

Posted in Entertainment, Glam Metal Rock Music, Glam Rock, Loudness, Music with tags , , , , on August 2, 2016 by glamrock4ever

Loudness1Loudness4Alive and kicking today, Loudness–a Japanese heavy metal and glam metal band–has a stellar thirty-five year history having been formed in 1981 by guitarist Akira Takasaki and drummer Munetaka Higuchi.  They are the first Japanese glam metal music band signed to a major U.S. label, and have produced 26 studio albums, along with nine live albums.  Loudness rocked their audiences hard throughout the 80s and 90s, garnered by their breakout hit “Crazy Nights”. According to Wikipedia, the original line-up reunited in 2001, producing seven more albums until drummer M. Higuchi’s untimely death from liver cancer on November 30, 2008.  Higuchi died in an Osaka hospital at age 49 and was mourned throughout Japan. 

 Loudness claimed as their roots other Japanese glam rock and shock rock acts such as Bow Wow, and Anthem. Other acts linked with them are Lazy, Sly, Ezo and X Japan. After forming the essence of the group, Loudness signed with record label Nippon-Columbia in 1980 and released The Birthday Eve.  Most would agree, however, that the absolute metal star in this band is the astounding shred-guitar virtuosity of Akira Takasaki: the trademark sound of Loudness for decades. And the album that all metal fans recognize from this band as a “must-have” is Thunder in the East. It was in 1985 through the Twisted Sister co-manager Joe Gerber that Loudness signed a record deal with Atco, and made history as the first Japanese heavy metal band to have a major recording contract. Thunder in the East was recorded in the USA and was quite notable, receiving heavy rotation on MTV with “Crazy NIghts”. These albums followed:  Lightning Strikes (1986), Hurricane Eyes (1987), Soldier of Fortune (1989), and On the Prowl (1991). More recent strong releases include Metal Mad (2008) and King of Pain (2010).  One more thing: glam metal and heavy metal music fans still debate the meaning of “MZA” in that video! Some say it has a secret meaning; others say it is just filler. What do you say? MZA! What??

Breaking into the largest English-speaking music market meant the native Japanese members had to learn English! Here is how Akira Takasaki described it in an interview with MyGlobalMind.com heavy metal online magazine:

     Shadow Editor:  “How much of a challenge was it to make a complete record in English for the first time?”

Takasaki:  “I think it was difficult for a Japanese speaker to master. It took us over a month to record a song. Even if the song performance was good, the pronunciation wasn’t right or vice versa. It was tough.”

Akira Takasaki also briefed MyGlobalMind about Loudness’ seasoning in the infamous Los Angeles Glam Metal Scene. Here is how Takasaki described it: 

Takasaki: “At that time LA metal was in its prime when we were there. Every night after recording at Sound City we would go to drink at the Rainbow. Drink every night, party dude style like a typical living in that scene.
I also went to the beach and to music stores a lot. When it comes to playing live, wherever we go it’s not that much different even now. The reaction from American fans is easier to read compared to fan from other countries.  “

Despite the loss of drummer Higuchi, Loudness announced in 2009 the release of The Everlasting, which included drum tracks by Higuchi before his death. The new drummer, Masayuki Suzuki, is featured on King of Pain and subsequent albums (See Wikipedia) Loudness is on tour in 2016.  Go to: http://www.loudnessjp.com.

ROCK ON 

Japanese:  生きていると蹴る今日は、ラウドネス – 日本の重金属やグラム・メタルバンドは – 恒星三〇から五年の歴史は、ギタリスト高崎晃、ドラマー樋口宗孝により1981年に形成されたました。彼らは主要な米国のラベルに署名した日本初のグラム・メタルの音楽バンドであり、9ライブ・アルバムと一緒に、26のスタジオ・アルバムを生産しています。ラウドネスは「クレイジー・ナイツ」をヒット彼らのブレイクアウトによって集め、80年代と90年代、全体にハード彼らの観客を揺るがしました。ウィキペディアによると、元のラインアップは11月30日に肝臓癌からのドラマーM.樋口さんの早すぎる死まで7枚のアルバムを生産、2001年に再会し、2008年樋口は49歳で大阪の病院で死亡し、日本全国嘆きました。

More Japanese translation: ラウドネスは、バウワウ、及び国歌としてのルーツ他の日本のグラムロックとショック岩行為として主張しました。彼らと一緒にリンクされているその他の行為は、レイジー、スライ、蝦夷とX日本です。グループの本質を形成した後、ラウドネスは、1980年にレコードレーベル日本コロンビアで署名し、誕生日イブをリリースしました。何十年もラウドネスの商標音:ほとんどは、このバンドにおける絶対的な金属スターは高崎晃の驚異的なシュレッド・ギター妙技であること、しかし、同意するだろう。そして、すべての金属製のファンは「なくてはならない」として、このバンドから認識したアルバムは、東でサンダーです。これは、ラウドネスがAtcoのとレコード契約を締結し、主要なレコーディング契約を持っている日本初のヘビーメタルバンドとしての歴史を作ったことトゥイステッド・シスター共同マネージャージョー・ガーバーを通じて1985年にありました。東サンダーは、米国で記録され、「クレイジー・ナイツ」とMTVでヘビーローテーションを受け、非常に顕著でした。これらのアルバムは続く:落雷(1986)、ハリケーン・アイズ(1987)、フォーチュン(1989)の兵士、およびプロール(1991)で。より最近の強力なリリースでは、メタルマッド(2008)と痛みの王(2010)が挙げられます。もう一つ:グラム・メタルやヘビーメタルの音楽ファンはまだその映像で「MZA」の意味を議論します!いくつかは、それが秘密の意味を持っていると言います。他の人はそれだけで充填剤であると言います。あなたは何を言っていますか? MZA!何??

 

 

 

 

 

Glam Rock Inventor and Innovator: the Androgynous, Eclectic World of David Bowie part 2

Posted in Chic, David Bowie, Glam Rock, Glitter Rock, Mick Jagger, Mott the Hoople, Music, Queen, Ziggy Stardust on January 17, 2016 by glamrock4ever

David Bowie‘s music recordings (albums, CDs, MP3 downloads and streaming songs) have taken over the current Top 40 mainstream music charts in the aftermath of the singer’s untimely death on January 10th, 2016. According to BBC News Music Reporter Mark Savage, Bowie’s recordings now make up 25% of today’s Top 40 chart. (BBC News  Bowie: Every tour and studio album, January 15, 2016)

These are the essential statistics by the quintessential Glam Rock Music artist extraordinaire:                 140 million albums (sold over 51 years since 1967)

 111 singles

 51 music videos

 25 studio albums, including Blackstar, released in 2016*

*BBC News

Bowie’s luxuriant artistic career as songwriter, singer, musician,record producer, actor and painter continued with a series of colossal hits in the 1980s: “Ashes to Ashes” from the album Scary Monsters (and Super Creeps) (1980), “Under Pressure” a collaboration with Glam Rock music artists Queen in 1981, and “Let’s Dance” in 1983.

The decade of the Eighties saw Bowie and his first wife Angela divorce. It was also the decade of the music trend called “New Romanticism”, originating in Berlin, Germany.Bowie appeared in the Broadway play The Elephant Man in 1980, as well as role of supporting actor in the film Merry Christmas, Mr.Lawrence. (http://www.musicianguide.com) The artist was also given the lead role in BBC Television Bertolt Brecht‘s play Baal.

The commercial success of “Let’s Dance” and its legendary co-production by Nile Rodgers of Chic was followed by lesser hits “Modern Love”, “China Girl”, “Blue Jean”, and “Dancing in the Street” with Mick Jagger. The albums of this period were as follows: Let’s Dance (1983), Tonight (1984), Never Let Me Down (1987). David also had roles in ten films during this rich artistic time period.

The decade of the 1990s has been considered the artist’s “Electronic Period” (see Wikipedia) with heavy use of electronic instruments and re-uniting with Eno as well as working again with Nile Rodgers. NIN  (Nine Inch Nails)co-produced the hit single by Bowie “I’m Afraid of Americans”.  Bowie was inducted into the Rock and Roll Hall of Fame in 1996; in 1997, the singer celebrated his 50th birthday at Madison Square Garden with Lou Reed, Dave Grohl (of Foo Fighters), Robert Smith of The Cure, and others. 

David Bowie’s record albums /CDs of the 1990s were: Black Tie, White Noise (1993), The Buddha of Suburbia (1993), Outside (1995), Earthling (1997), and Hours (1999).

Regarding his sexuality, Bowie declared himself gay in a 1972 issue of Melody Maker. In 1976, he told Playboy “Its true. I am a bisexual. But I can’t deny that I’ve used that fact very well.” Then in 1983, he gave an interview to Rolling Stone in which he disavowed all that stating the initial statements were “the biggest mistake I ever made; I was always a closet heterosexual.”

David Bowie’s influence and music contribute to be felt around the globe, by the outpouring of fan support everywhere and tributes by those of prominence in the music, art,fashion, and film worlds. Bowie’s record company gave the definitive statement years ago by saying “There is old wave, there is new wave, and then there is Bowie.” Couldn’t agree more. David was way ahead of his time.

View “Heroes” by David Bowie—one of our enduring heroes forever.